

Elina Minn
I mainly work with pencil, collage and drawn animation. I graduated as an animation director from Turku Arts Academy. I currently live and work in Turku, Finland.

Mark Lazenby - Boy with a sky

My work is a chronicle of Americana. I am determined to capture the independent aesthetic of the not-so-distant past that has been replaced by homogenized corporate culture and standardized cityscapes. Industrial design, graphic design, architecture and vintage neon all render important roles in my work.

Alexandre Maureira
A friend currently in Barcelona.

Typewriters Morph Into Creepy Sci-Fi Creatures
To create his mecha-cricket, Mayer fashioned the guts of a Royal typewriter into the abdomen and thorax. In order to keep the body color uniform, he salvaged similar pieces from the typewriter graveyard in his studio.
The legs are bent keys, and the head was made from a dismantled rubber pad. The insect measures about 18 inches long, from its spindly legs to the tips of its antennae.

Zumo Vida tomate (1962) (via el estratografico)
Via nypl.org
In:Commercial posters (published [1895-1917])

Arrow collars. Cluett shirts. Saturday evening post, Oct 8 1910.

Columbia bicycles.

Calder’s saponaceous dentine for the teeth.
Big Ideas (don’t get any) from James Houston on Vimeo.
I’ve just graduated from the Glasgow School of Art’s graphic design course. This was my final project. Radiohead held an online contest to remix “Nude” from their album - “In Rainbows” This was quite a difficult task for everybody that entered, as Nude is in 6/8 timing, and 63bpm. Most music that’s played in clubs is around 120bpm and usually 4/4 timing. It’s pretty difficult to seamlessly mix a waltz beat into a DJ set. This resulted in lots of generic entries consisting of a typical 4/4 beat, but with arbitrary clips from “Nude” thrown in so that they qualified for the contest. Thom Yorke joked at the ridiculousness of it in an interview for NPR radio, hinting that they set the competition to find out how people would approach such a challenging task. I decided to take the piss a bit, as the contest seemed to be in that spirit. Based on the lyric (and alternate title) “Big Ideas: Don’t get any” I grouped together a collection of old redundant hardware, and placed them in a situation where they’re trying their best to do something that they’re not exactly designed to do, and not quite getting there. It doesn’t sound great, as it’s not supposed to. I missed the contest deadline, so I’m offering it here for you to enjoy. Sinclair ZX Spectrum - Guitars (rhythm & lead) Epson LX-81 Dot Matrix Printer - Drums HP Scanjet 3c - Bass Guitar Hard Drive array - Act as a collection of bad speakers - Vocals & FX
Worlds Within Worlds from Martha Sue on Vimeo.
This animation was a part of gallery show called “Interior Landscapes” at the Lab in San Francisco. The show incorporated painting, fabric sculpture and installation, along with this animation. The imagery in this work is inspired by botany, internal organs, and the idea of worlds within worlds. A loose narrative springs from the confusion of scale; the idea of life existing within seeds, creating landscapes at levels so large or small that they are beyond our grasp. With every change in magnification, it seems like a new world is born. The animation is a collaboration with Mark Edwards, Jeff Ray and Jim Coursey. I developed it in connection with the music, and we took several passes back and forth to find a balance between the two. ©2008 m sue

Freudian Picnic via SA_Steve in Vintage Advertising

‘Bulls of Parral’ - Marguerite Steen (via letslookupandsmile)
HAIR, 1979 (German Poster) (via my_movies)


past works 080622 (via Toru Fukuda)

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