FitaCola

Sparkwood & Twenty-One

Joe McLaren

Saturday is Record Store Day (via nevver)

David Maisel – Photography

Clayton Junior

Deanna Halsall

If you want to change the way people respond to you, change the way you respond to people. — Timothy Leary

Scott Teplin

Dan McPharlin

Polish Book Covers Via Jeremy Pruitt

Tate Report 2008: Andreas Gursky – Colour photograph on paper face-mounted on Perspex

This image depicts the Formula 1 racetrack in Bahrain as seen from a helicopter. Andreas Gursky works with a medium-format camera, taking pictures which he then scans into a computer where he can manipulate them. His aim in using digital technology is not to create fictions, but rather to heighten the image of something that exists in the world. Unlike some of Gursky’s more elaborately composed images, this photograph is a minimally manipulated shot of the racetrack spiralling through the desert. The human figure, represented by the race cars visible on the track, is dwarfed by the man-made landscape. The image draws attention to the speed of process and the might of technology. Bahrain I also represents a tendency in Gursky’s work towards abstraction; the sinuous lines of the racetrack in this image evoke gestural abstract painting.

(via abadrivera)

Vintage Scooters

Andrew Holder

(Return to Flesh)

♫ Massive Attack – Blue Lines
Return To Flesh by Made By Heath Killen on Flickr.

Vintage Cars: Automodule

Ehren Elizabeth Reed

Krista Wortendyke

MATT STUART

15 Things a Designer Should Never Say

We are sorry for the multiple posts that have been popping here, I’m trying to figure what may be the cause for this, which I don’t yet have a clue, trying to make things flow well asap.

Many thanks for your understanding.

/Fitacola

(Martin Klasch)

Zé Paz

Rachell Sumpter

Chris Burden:

History of Our World

via nevver